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  • Welcome
  • Biography
  • Events / Exhibitions
  • pIAR (Artist in Residency)
    • How to get to crazinisT artisT studiO
  • News / Events / Open Calls
    • Artist Talks / Lectures
    • Press Release
    • Open Call / News
  • What Next ?
  • Performances
    • 2019
      • RItual reALITies
      • WouNded wouNds IV
      • dZikudZikui-aBiku-aBiikus III
      • aʋa_Si_mi
      • Strikethrough III
      • tO liVE, we dIED
      • Table of Negotiation
      • Borderless Ocean
      • Strikethrough II
      • agbanWu II
      • dZikudZikui-aBiku-aBiikus II
      • Open source Performance
      • DONOTSAVEME
      • Intimate death
      • Lamentation
      • nkwabiaahia
      • WouNded wouNds II
      • tranSFiguration
    • 2018
      • strikedthrough
      • ouTcasT
      • the oatH_a
      • agbanWu
      • Passing Through-Act of Radical Empathy
      • dZikudZikui-aBiku-aBikus
      • wouNded-wouNd
    • 2017
      • afriqueer- How the Stars Were Made
      • nativeimmiGrant II – efiewurasuame
      • inthemiddleofNowhere
      • The specter[less] specters - find the X
      • nativeimmiGrant II
      • iNisheahim
      • stillDeath
      • Bond H2O
      • nativeimmiGrant
      • lettertotheChurCh I and II
      • Rituals of Becoming
    • 2016
      • Chocolate- Kiss
      • rE-gen-er-at[e]
      • myBoDyisaPrison
      • x in REd
      • eAt me...
      • reThinking-naZa 01
    • 2015
      • Triptych
      • pieta- afriCan resurrect
      • Broken Exile
      • In the Absence of our Gods- BookofLife
      • The Return of the Slaves
      • Voyage
      • Stench of Silence
    • 2014
      • Borders
      • Gbugbordzi
      • reThinking-naZa
      • Life Sex-series
      • Crucifix Crises
      • First Last Supper
      • Crucifix
      • That’s Why You are Mad
      • Long Walk
    • 2013
  • Installation/Video/Film
  • Artist Statement
  • Interviews
  • Workshops/Residences
  • Curriculum Vitae
  • Contact
    • New page
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