The CHALE WOTE Street Art Festival is an alternative platform that brings art, music, design, dance and performance out into the streets. The community-based festival takes place in James Town - one of Accra’s most historic communities and targets exchanges between Ghana-based and international artists creating and appreciating art together.
Over the last eight years, CHALE WOTE has transformed the city of Accra into the most active cultural hub in West Africa. The festival has inspired possibilities in public space design through community supported cultural production
Para-Other represents our evolution beyond the dialectic of belonging and non-belonging. It is a rejection of citizenship that has no place for the advancement of radical imagination, new perspectives of the self and human agency. Para-Other is a transatlantic shortwave that transcends language and geography, but is also represented in relationship to unique locals. It is a philosophy born out of historically determined necessity to flourish beyond a world of alienation and crisis we currently experience as reality. Para-Other requires new knowledge fractals, codes, symbols, and sounds that transmit our core creative intent where imperial languages fail us. This order is an embracing of a black labyrinth and establishment of an aesthetic that captures our cessation of flight and transit into a non-contested existence.
INFORMATION FOR APPLICANTS
The Call for Artists is extended to visual and installation artists, interventionists, musicians, makers, photographers,performance artists, filmmakers, thespians, poets, architects, fashion designers, graphic designers, scholars and more. We are also accepting proposals for knowledge sharing sessions, panels and film screenings for The LABS @ CHALE WOTE (August 23 + 24). Participating artists must be available the week of the festival, August 20 - 26 2018, to meet one another, share and exchange (in several planned activities) as well as to work on production needs for the festival. Please note that we will accept existing and new works that are in dialogue with this year’s theme. We encourage applications particularly in digital art, comics, video art, graffiti art, and interventions.
International Artists: This is an independent, community-based festival and our support for participation is limited. Therefore, international artists are encouraged to seek private and public sources to fund their participation (travel, lodging, food, transportation and production costs).
Ghana-based Artists: This is an independent, community-based festival and our support for Ghana-based artists is limited. We are only able to provide a production stipend to a selected number of artists who will present works at the festival. All other artists are encouraged to seek external means of support for the production of the works at CHALE WOTE 2018.
For the LABS @ CHALE WOTE (August 23 + 24), applicants should submit: CVs, 1-2 page proposal of project and one (1) sample of work per person. Filmmakers and Video artists must submit completed short or feature length films/videos for review. Applicants interested in participating on August 23 + 24 should submit an artist resume (bio, artist statement, and CV), 1-2 page proposal of project, and five (5) samples of work. Images must be in jpg or png form. Films or videos should be submitted via link or WeTransfer. Audio files should be formatted and sent as MP3. All applications should be submitted in a zip file with the applicant's name and subject line: CHALE WOTE 2018 Application to firstname.lastname@example.org.
Note that applications that do not adhere to the above criteria will be considered ineligible. Artists shortlisted to participate are reminded to submit works they own. Plagiarized works will not be accepted .
Deadline: May 5, 2018 Final selections will be communicated to all applicants within the month of May
SOURCE : ACCRA [dot] ALT
if you love me…
(The First KNUST MFA Curating show)
Loco Shed, Kumasi Railway, Kumasi, Ghana
3:00pm, Friday, 15 Apr 2016 - 05 May 2016
This exhibition is a collaborative effort of railway workers, occupants, engineers, artists, and students of KNUST.
The idea is to take on the space of the Kumasi Loco Shed as a living organism, a structure with a vital life of its own. The independently staged exhibition presents work born out of freedom of thought and practice, steered by attitudes of subtle resistance, activated by suggestions of renewal. The project aims to penetrate the site like a bacteriophage on a host cell, quietly attaching to the cell’s DNA and reproducing, until the space has been regenerated.
With Kumasi as its nucleus, the project flows out to other locations along the tracks, from Takoradi to Accra, mapping a trajectory of the railway system. Presenting work by 30 artists and numerous collaborators, if you love me… meditates not only on human love, but that of plants, winds, germs, machines; not only on romantic love, but also toxic, consuming, possibly fatal passion. The pharmakon, both poison and cure, can be the Agent Smith that replicates itself onto subsumed subjects, or the kenosis that empties out the disease. Dangerous, seductive, formless, it floats in free play, disappears into itself, and ever eludes grasp or possession.
The exhibition follows two major shows by KNUST’s Department of Painting and Sculpture last year — one at a repurposed car showroom in Kumasi (Silence between the Lines), another at the National Museum of Science and Technology in Accra (the Gown must go to Town), as well as the launch of blaxTARLINES KUMASI, the Department’s project space for contemporary art. if you love me… resonates with strategies of “ironic overidentification” as proposed by KNUST art teacher kąrî’kạchä seid’ou — inserting oneself within the site of critique, in order to transform that subject. In this interdisciplinary and intergenerational project, a host of familiar faces and other new ones join together in a labour of love that transcends institutional, intellectual, and categorical lines, toward a more Consciencious future.
Accra Train Station (Nii Noi Nortey, Nii Otoo Annan, J. C. Abbey); Timothy Affram; Akwasi Bediako Afrane; Rex Akinruntan; Bernard Akoi-Jackson; Dorothy Amenuke; Francis Anim Sakyi; Lois Selasie Arde-Acquah; Lolo Atanley; Lawrence Baganiah; Geoffrey Akpene Biekro (Captain’s Kitchen); Edwin Bodjawah; Yaw Brobbey Kyei; Eugene Edzorho; Va-Bene Elikem Fiatsi (crazinisT artisT); Kelvin Haizel; Ella Kankam; Adjo Kisser; Eric Okwei Nii Noye; Caterina Niklaus; Elvis Nsiah; Legon Pr3k3s3 (School of Performing Arts, Legon); Emmanuel Opoku Manu; Yaw Owusu; Deryk Owusu Bempah; Afia Prempeh; Stephen Smart Sippah; Kwaku Tabiri
Co-Curators: Robin Riskin, Selom Kudjie, Patrick Nii Okanta Ankrah
Advisors: kąrî’kạchä seid’ou, Kwaku Boafo Kissiedu, George Ampratwum
Support: Edwin Bodjawah, Ibrahim Mahama, Caterina Niklaus, Stephen Smart Sippah Takoradi
Coordinators: Eugene Edzorho, Rex Akinruntan
Partner Institutions: blaxTARLINES KUMASI Department of Painting and Sculpture, KNUST Ghana Railway Company Ltd. Ghana Railway Workers Union
Supporting Institutions: Ghana Museums and Monuments Board, Kumasi Metropolitan Assembly, Ghana National Fire Service, Western Regional Library, DDP Outdoor Ltd.