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• Welcome
• Biography
• Events / Exhibitions
• pIAR (Artist in Residency)
• • pIAR 2022
  • How to get to crazinisT artisT studiO
• News / Events / Open Calls
• • Artist Talks / Lectures
  • Press Release
  • Open Call / News
• What Next ?
• Performances
• • 2021
  • • Un(EARth)ing w-E-story
    • gray-healings-grey-bodies
    • EKU EKU
    • Holier-Than-Thou
  • 2020
  • • Emergency CODE: pAUSE and pULSE
    • uNTAMED reALITIES
    • Black is rED
    • I KAn’t brEAThe
    • Oga LANDLORD...
  • 2019
  • • RItual reALITies
    • WouNded wouNds IV
    • dZikudZikui-aBiku-aBiikus III
    • aʋa_Si_mi
    • Strikethrough III
    • tO liVE, we dIED
    • Table of Negotiation
    • Borderless Ocean
    • Strikethrough II
    • agbanWu II
    • dZikudZikui-aBiku-aBiikus II
    • Open source Performance
    • DONOTSAVEME
    • Intimate death
    • Lamentation
    • nkwabiaahia
    • WouNded wouNds II
    • tranSFiguration
  • 2018
  • • strikedthrough
    • ouTcasT
    • the oatH_a
    • agbanWu
    • Passing Through-Act of Radical Empathy
    • dZikudZikui-aBiku-aBikus
    • wouNded-wouNd
  • 2017
  • • afriqueer- How the Stars Were Made
    • nativeimmiGrant II – efiewurasuame
    • inthemiddleofNowhere
    • The specter[less] specters - find the X
    • nativeimmiGrant II
    • iNisheahim
    • stillDeath
    • Bond H2O
    • nativeimmiGrant
    • lettertotheChurCh I and II
    • Rituals of Becoming
  • 2016
  • • Chocolate- Kiss
    • rE-gen-er-at[e]
    • myBoDyisaPrison
    • x in REd
    • eAt me...
    • reThinking-naZa 01
  • 2015
  • • Triptych
    • pieta- afriCan resurrect
    • Broken Exile
    • In the Absence of our Gods- BookofLife
    • The Return of the Slaves
    • Voyage
    • Stench of Silence
  • 2014
  • • Borders
    • Gbugbordzi
    • reThinking-naZa
    • Life Sex-series
    • Crucifix Crises
    • First Last Supper
    • Crucifix
    • That’s Why You are Mad
    • Long Walk
  • 2013
• Curatorial Project
• • 2021
  • • or·ga·nis·mus
    • Witnesses Memories
    • Beyond The Graves
    • X:7
  • 2020
  • • reinKarnatorX
    • Forgiven Spaces
  • 2019
  • • “Pidgin Imaginarium”
    • “ADeakyeabia”
    • “Ignite”
    • “Tomorrow”
    • ‘noW or neveR’
    • ‘Open House Performance’
    • ‘so URgent 000’
  • 2018
  • • Prism of Freedom
  • 2015-2018
  • 2012-2014
• Installation/Video/Film
• Artist Statement
• Interviews
• Workshops/Residences
• Curriculum Vitae
• Contact

Blog

• 05/20/2022 - OPEN CALL! pIAR 2023
• 04/28/2022 - SAVE pIAR: EMERGENCY CALL
• 01/19/2022 - Invitation to LOVE fEAST 2022
• 01/01/2022 - OPEN CALL FOR MENTORSHIP
• 11/26/2021 - OPEN CALL FOR STUDIO INTERNSHIP
• 09/05/2021 - OPEN CALL! pIAR 2022
• 07/13/2021 - APPLY NOW (Open Call) : 'Where I’m Coming From’ 2021
• 03/27/2021 - X:7 (Invitation to Group Exhibition 2021)
• 01/15/2021 - Invitation to LOVE fEAST 2021
• 08/04/2020 - reinKarnatorX
• 05/23/2019 - noW! or neveR!
• 07/21/2018 - Prism of Freedom
• 06/21/2018 - Passing Through
• 03/30/2018 - dZikudZikui-aBiku-aBikus
• 02/28/2018 - CHALE WOTE 2018: CALL FOR ARTISTS
• 02/13/2018 - prism of freedom-[60 shades of being a Being]
• 10/11/2017 - Beyond Ritual
• 05/22/2017 - crazinisT artisT covers CCQ Issue 12 / April 2017
• 03/22/2017 - Financial Times explores the demand for African Art
• 02/10/2017 - Omenka Magazine meets crazinisT artisT
• 02/09/2017 - crazinisT artisT Rituals of Becoming
• 06/10/2016 - From Emancipatory [Art] teaching to Ground-breaking Art Exhibition: "Cornfields in Accra"
• 04/07/2016 - if you love me…Exhibition
• 08/19/2015 - pieta-afriCan resurrect @ Chale Wote 2015
• 06/25/2015 - The Return of the Slaves
• 06/12/2015 - The Gown must go to Town…
• 04/02/2015 - Open Call for participation - The Return of the Slaves
• 03/13/2015 - Artist Talk
• 02/12/2015 - Silence between the Lines